(10/20/00)
These three films were run together, so I couldn't tell where one ended and the other began, except that The Midnight Party was printed in sepia. These films are fun. They are about children and we have a lot of fun watching them. Cornell picks humorous moments--I especially remember the face of one little tyke who eats and coughs or sneezes on what he is eating. Freeze frames are used to good effect. There is a lot of footage of performers--acrobats, tightrope walkers, knife throwers, chorus girls--who, we assume, perform for the children.
What is fascinating about these pieces, in addition to the success with which Cornell culled together bits of film from disparate sources to make a new reality, is the streak of eroticism and child sexuality. Two little girls dance like chorus girls and there is something provocative aqbout them even if it seems to be innocent.
Most impressive, disturbing and provocative of all is the image of a little girl riding a horse in the manner of Lady Godiva. Where on earth did Cornell come up with this piece of film? Is this a child's fantasy of being sexually desirable? We see the girl's face and she doesn't look innocent. It is a haunting moment.
The three films suffer by being shown together.
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